.
Ron W4RON Asked:
Quote:
Where did you get the Litz wire?
I have a Radiola loop frame that needs new
wire that I trying to fix for a friend
.
I had the wire on hand
Ron. It was the last remnants of a fairly large spool I bought at a estate sale years ago. Most of the roll was cut up and dyed similarly to that used on the Framingham set, but to a brown, very nearly perfectly matching the wire on
Radiola 28 loops. (I have three of the Radiola 28 sets along with matching "104" speakers to give them AC capability).
I'm still drooling over
Duane's McLaughlin Superhet. I had seen construction articles for sets using the "Precise" brand components, but the McLaughlin is a new one to me. It is difficult to imagine the problems overcome in designing and producing a single dial Super in 1924. That's a great catch Duane.
I want to say thanks here too to
Rick for posting the additional information on
Raven sets. As scarce as they are, I'm kinda amazed at the amount of information and sets still extant.
Thanks also to
Jerry Huelsbeck for posting his Raven Pictures - - a beautiful example, and the best I remember, it even has the loop with it.
I'm going to offer another incomplete Superhet for folks to peer at - - - actually it is more a pile of parts at this point, but I have high hopes.
To explain; I need to tell a short story about the set.
More than a dozen years ago I heard of this particular Superhet from a collector friend in Texas who described it in some detail and genuinely piqued my interest.
I then came to possess a early issue of
Radio News magazine with a picture of the set of my dreams. Even better, the photograph was shot near-axially so it provided enough information to be enlarged and details of the set's construction revealed to a degree.
A short time later an elderly Gentleman living in Upstate New York told me of seeing this one-of-a-kind set at a 1923 or 1924 New York City Radio Show / Extravaganza. The old fellow and I spent quite a long time talking of the early days of the industry and of his memories of those times. He had attended the New York Radio show and was afforded the opportunity to inspect the set at close range. From his recollections and some interpretative sleuthing, I finally managed to pretty well figure out the set and its component parts. In short - - I was hooked. I had to build a replica of the set.
With this very good photograph
(though small - - - the actual photo is probably about three inches in width) to work from, I started experimenting with scanning, cropping, and enlarging the photo; hoping to produce a clear enough image to be able to draw a pattern for the front of the radio I wished to fabricate:
The next step was to scan the entire enlarged picture in small enough segments so I could print them off on individual sheets of paper in hopes of assembling a larger composite:
There followed a lot of experimenting, lots of paper, even more toner, cuss fights with balky scanners, and a huge amount of frustration:
BUT, eventually I did finally manage to produce a
"actual size" print.
Knowing the meters were Weston 301's, I used the meter diameters as a reference point for the final scaling.
The process also afforded the opportunity to expand my already colorful vocabulary, much to my long suffering wife's chagrin and dismay.
The end result - - - a pasted-up print that I could work directly from to produce the copper front panel:
I printed off several copies of the enlarged picture so I have a source of visual reference as well as copies to be used for direct transfer of the pattern to the copper sheeting to be tooled.
I've been gradually accumulating parts to build the circuitry of the Copper Front Superhet for a long time.
Tube sockets, buss wiring, suitable early bypass condensers, and a lot more items have gone into waiting for actual chassis construction.
I have a suitable amount of old Mahogany, Maple, and Boxwood to construct or have constructed a cabinet to house my receiver.
I should mention here that as a youngster I had classes in what we then called "Copper Tooling." With supplies from the
Tandy Co. (Later to be owners of Radio Shack and other ventures), I learned to work copper sheet into pictures and other decorative objects. What I needed to do now was re-learn those skills and practice until such point my confidence would allow me to produce a credible replica of Mr. Savastano's Superhet.
I next bought a roll of copper flashing, wide enough to produce a full-width copper front panel. The flashing came
(unfortunately) with a gummy, sticky asphalt coating on it that was intended to help waterproof roof valleys. Soaking a length of the copper flashing in a couple of gallons of low-test gasoline removed the goo quite nicely.
About two years ago I finally managed to locate a Gentleman who had the necessary IF and audio transformers -- - - in fact, he had a complete set of Receptrad Superhet components. Better still - - - he was willing to part with them reasonably. Before the deal could be consummated He succumbed to a long illness and I lost the opportunity. I'm now back to hunting the pieces needed to produce the set.
The Original Copper Front Superhet was built to plans from Victor Greiff, and largely made use of transformers and other parts produced by Receptrad Radio Co. of New York. The Receptrad items were the ones I required, then located, and then lost the opportunity.
Here's a look at what the chassis should look like with the Receptrad Radio components installed - - - unfortunately, in this case they are installed in another of my Superhets:
The RF bits - - - also from Receptrad Radio:
The IF & Audio transformer section, seen a bit closer:
Then, a closer look still at one of the audio transformers. The audios are in identical housings to those of the IFs:
Work goes on sporadically. I'm still searching for the missing bits for the chassis. I still work on tooling the front panel from time to time. I'm ashamed to say how many false starts and screw ups have gone on so far - - but in the end I'll have at least the cabinet if it is within my power and ability.
If I accomplish nothing but the cabinet I will feel fulfilled in part. Who knows - - - someone else, years from now, may find my scribbles, a empty cabinet, and be prompted to take up the cause once again. If all goes well, I will finally have my Copper-Front copy of Mr. Savastano's Beautiful and unique Superhet.
If it comes to pass before I assume room temperature I will indeed have been amply blessed in this one respect.
.